BEBE & BASSY TOUR 2017 – Tickets – Plaza LIVE Orlando – Orlando, FL – November 1st, 2017

BEBE & BASSY TOUR 2017

Produced by AEG Presents

BEBE & BASSY TOUR 2017

Wednesday, Nov 01, 2017

Doors: 7:00 pm / Show: 8:00 pm

$25.00 - $225.00

This event is all ages

Bebe Rexha
YOU COULD SAY BEBE REXHA HAS NO FILTER. THE NEW YORK-BORN AND LOS ANGELES-BASED SINGER, SONGWRITER, AND POP DISRUPTOR CONSTANTLY SPEAKS HER MIND, AND THAT HONESTY DRIVES HER 2017 FULL-LENGTH DEBUT, ALL YOUR FAULT [WARNER BROS. RECORDS]. OVER A SOUNDSCAPE INSPIRED BY NINETIES R&B SASS AND MODERN POP STYLE, SHE’S NOT AFRAID TO CANDIDLY OPEN UP ABOUT BREAKUPS, FLIP OFF FAKE FRIENDS, OR BE A BAD BITCH…

“I WANT PEOPLE TO KNOW WHO I TRULY AM,” SHE EXCLAIMS. “I’VE CHANGED SO MUCH OVER THE PAST FEW YEARS, AND I FEEL LIKE I’VE COME INTO THIS STRONG AND POWERFUL PERSON. IN THIS INDUSTRY, YOU CAN EITHER WATCH YOURSELF DROWN OR LEARN HOW TO SWIM. I HAD TO LEARN HOW TO SWIM, AND NOW I’M GOING TO KEEP MOVING FORWARD.”

IN AUGUST 2015, BEBE FOUND HERSELF IN THE MIDST OF PERSONAL AND PROFESSIONAL UPHEAVAL. WITHIN THE SPAN OF A WEEK, A LONG-TERM RELATIONSHIP ENDED VIA TEXT MESSAGE, AND SHE PARTED WAYS WITH HER ORIGINAL TEAM. BOUNCING BETWEEN AIRBNB HOMES IN LOS ANGELES, SHE ATTENDED A WRITING CAMP AT WESTLAKE STUDIOS AND COMMENCED CHANNELING THESE EXPERIENCES INTO WHAT WOULD BECOME ALL YOUR FAULT.

“I JUST STARTED WRITING,” RECALLS BEBE. “RATHER THAN VICTIMIZING, I LOOKED AT MYSELF AND REFLECTED ON WHO I AM. ALL YOUR FAULT IS ACTUALLY A POSITIVE. THE IDEA ISN’T, ‘IT’S ALL YOUR FAULT I’M SAD;’ THE IDEA IS, ‘IT’S ALL YOUR FAULT, I’M A BETTER WOMAN.’ INSTEAD OF BEING UPSET AND BITTER FOR GETTING FUCKED OVER, I DECIDED TO TAKE MY LIFE INTO MY OWN HANDS. I’M NOT HOLDING BACK WITH THE MUSIC.”

SHE CONFIDENTLY EMERGED FROM THIS TUMULT WITH THE SONGS THAT WOULD COMPRISE HER DEBUT. DRAWING FROM TURN-OF-THE-CENTURY TRAILBLAZERS LIKE DESTINY’S CHILD, AALIYAH, AND TIMBALAND AND MAKING A CONSCIOUS DECISION TO “GET SEXIER THAN EVER BEFORE,” SHE BOLDLY DEFINES HER SIGNATURE STYLE. IT COMES ACROSS LOUD AND CLEAR ON THE LEAD SINGLE “I GOT YOU.” JUMPING FROM SEDUCTIVE VERSES INTO AN UNSHAKABLE CHORUS, SHE IMMEDIATELY ENCHANTS.

“IT’S ABOUT MEETING SOMEONE YOU REALLY LIKE, BUT THIS PERSON BECOMES CLOSED OFF TO YOU,” SHE EXPLAINS. “YOU’RE TRYING TO SAY, ‘I’M JUST LIKE YOU. I’VE GONE THROUGH THE SAME THING. I GOT YOU.’ IT’S WHAT I WOULD WANT SOMEBODY TO TELL ME. WHEN YOU’RE FRESHLY SINGLE, YOU’RE ESSENTIALLY BRUISED AND SCARRED. YOU’RE VERY WEARY. YOU’RE ASSURING THIS PERSON YOU’RE RIDE OR DIE, WILL DO WHATEVER THE FUCK IT TAKES, AND YOU’RE NOT LIKE THE OTHERS.”

WHETHER IT’S THE RAPID FIRE DELIVERY OF “ATMOSPHERE” OR THE HYPNOTIC HEART OF “SMALL DOSES”—WHICH BOASTS ORCHESTRAL AND CINEMATIC VIOLIN COURTESY OF LINDSEY STIRLING— BEBE’S VISION PROVES BOTH DEEP AND DYNAMIC. ELSEWHERE ON THE ALBUM, G-EAZY SERVES UP SHARP AND SIZZLING BARS ON THE FIERY “FUCK FAKE FRIENDS,” AND TY DOLLA $IGN BRINGS HEAT TO THE EMPOWERING DECLARATION OF “BAD BITCH.”

“I WAS STARTING TO FEEL MYSELF ON THAT ONE,” SHE SMILES. “I’D FALLEN IN LOVE WITH SOMEBODY, AND HE TOLD ME HE WAS TIRED OF ALL THE BASIC, GROUPIE GIRLS. SO, I WAS LIKE, ‘YOU WANT A BAD BITCH. I’M HERE.’ I’VE BEEN TOO GOOD. NOW, I WANT TO BE NAUGHTY AND SHAKE THINGS UP.”

BEBE’S DESTINY WAS ALWAYS TO SHAKE THINGS UP. IN 2015, NEARLY TEN YEARS OF HUSTLING AND GRINDING BEGAN TO PAY OFF. SHE TEAMED WITH G-EAZY FOR THE QUINTUPLE-PLATINUM SMASH “ME, MYSELF & I.” AS THE SONG TOOK OFF TO POP UBIQUITY, THEY DELIVERED SHOW-STOPPING PERFORMANCES AT THE IHEARTRADIO MUSIC AWARDS, THE TONIGHT SHOW STARRING JIMMY FALLON, AND JIMMY KIMMEL LIVE!. NEXT, BEBE CHARGED UP HER OWN SINGLE “NO BROKEN HEARTS” [FEAT. NICKI MINAJ], WHICH AMASSED OVER 100 MILLION COMBINED STREAMS AND 125 MILLION YOUTUBE VIEWS IN LESS THAN SIX MONTHS. ANOTHER INTERNATIONAL HIT WITH MARTIN GARRIX, “IN THE NAME OF LOVE,” FOLLOWED, RACKING UP 350 MILLION COMBINED STREAMS. CAPPING OFF A BANNER YEAR, SHE HOSTED AND PERFORMED AT THE 2016 MTV EMAS. SO FAR, CUMULATIVE SINGLE SALES EXCEED 8 MILLION WORLDWIDE, WHILE TOTAL SPOTIFY STREAMS AND YOUTUBE VIEWS SURPASS 2 BILLION AND 1.5 BILLION, RESPECTIVELY. ALONG THE WAY, SHE’S RECEIVED ACCLAIM FROM ENTERTAINMENT WEEKLY, GQ, ELLE, USA TODAY, BILLBOARD, AND MANY OTHERS.

AT THE END OF THE DAY, BEBE PULLS NO PUNCHES, AND THAT’S WHY SHE ALWAYS MAKES A CONNECTION.

“I NEVER HAD AN OLDER SISTER, SO I WANT TO BE LIKE THE OLDER SISTER TO GIRLS WHO NEED ONE,” SHE LEAVES OFF. “I WANT TO ENCOURAGE THEM TO GROW INTO THEIR SKIN, LOVE THEMSELVES, AND BE BAD BITCHES.”
Marc E. Bassy
Walking 450 miles down the California coast to clear your thoughts and film a music video might sound a bit insane, but that’s the length singer-songwriter Marc E. Bassy goes to for his art. A true creative, Marc cites making music as necessary to his health and well-being as food, shelter, or sex. Marc's knack for penning honest, catchy, and heartfelt tunes has served him well for the past several years. The San Francisco-born and Los Angeles-based artist has made quite a name for himself, composing hits for the likes of Wiz Khalifa, 2 Chainz, Chris Brown, Allen Stone, and pop princess PIA MIA, founding the chart-topping pop group 2AM Club, and releasing an independent EP, Only the Poets, which was acclaimed by Billboard, Complex, and SPIN in 2014. However, it was in early 2015 when Marc truly honed his sound while working on music as a form of therapy while crashing at a friend’s pad in downtrodden East Hollywood.

Having recently broken up with a long-term girlfriend and with his band of 10 years, Marc found the strength and inspiration to cope by going through a period of self-medicating and non-stop partying, followed by binge-reading his favorite authors Charles Bukowski and Henry Miller (with whom he felt a special connection, because they too, had experienced the lowest of lows while staying in East Hollywood). Feeding this need to create, Marc got down to songwriting again, but this time with a renewed vigor to zero in on his personal sound. “I had been writing songs for other people for so long that I got a lot of practice,” he says. “Once I started focusing on my own music again, I finally realized how to combine that element of making something stick with my own voice. This style of music was what I’d always been chasing.”

The product of his creative revelation, East Hollywood, crystallized Marc’s approach. Co-produced with Count Bassy, the five-song set cumulatively amassed 1 million Soundcloud plays-and-counting over the course of the summer and caught the attention of The Roots drummer, Questlove, who personally requested that Marc perform at his annual Roots Picnic outdoor festival. Friend and recent collaborator Kehlani followed suit when she asked Marc to open for her West Coast tour. Republic Records took notice, quickly inking a deal with Marc to give East Hollywood a proper commercial release on December 18th, 2015.

Featured on the EP, Marc teamed up with Ty Dolla $ign to write and produce “That’s Love” – a melancholy song written about vulnerability, trust, and unconditional love that combines boozy, bass-heavy production with brutal honesty and sexy storytelling. Originally written as a song for Ty to use, Marc ultimately kept it for himself at Ty’s urging. True to Marc’s form, the song possesses two elements of his signature style – the subject matter embraces the good, along with the bad and ugly, while the lyrics are autobiographical yet relatable. Marc explains, "That song is about young love. There’s no better feeling when you and your significant other are going crazy, yelling, and fighting just because you fucking love each other so much.”

Fresh off the ‘When It’s Dark Out’ tour with G-Eazy and A$AP Ferg, Marc is only picking up steam. Writing his best, most authentic music to date while hitting his stride on stage, Marc approaches the journey ahead with true artistic perspective. He’s letting the feelings evoked from his realest, most personal experiences drive his music – He holds nothing back. Once, Marc even admitted that he loves having his heart broken. Why? “It makes you pick yourself off the floor and do better,” he says. “I’m not afraid to be myself on a record and use the voice I’ve got. I want to share something honest with them and hope they become inspired to be themselves. I want people to feel.”